Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Joseph wright of derby
An Experiment on a Bird in an Air Pump

ID: 94422

Joseph wright of derby An Experiment on a Bird in an Air Pump
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Joseph wright of derby An Experiment on a Bird in an Air Pump


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Joseph wright of derby

1734-97 English painter. He painted portraits, landscapes and subjects from literature, but his most original and enduringly celebrated works are a few which reflect the philosophical and technological preoccupations of the later 18th century and are characterized by striking effects of artificial light. He was the first major English painter to work outside the capital all his life: apart from spells in Liverpool (1768-71), Italy (1773-5) and Bath (1775-7), he lived and worked in his native Derby, though exhibiting in London at both the Society of Artists (1765-76, 1791) and the Royal Academy (1778-82, 1789-90, 1794).   Related Paintings of Joseph wright of derby :. | Portrait of Richard Arkwright English inventor | Details of A Philosopher giving a Lecture on the Orrery | An Experiment on a Bird in the Air Pump | The Tomb Scene | The Alchemist Discovering Phosphorus or The Alchemist in Search of the Philosophers Stone |
Related Artists:
Sidney Starr
British. 1857-1925
BOCCATI, Giovanni
Italian Painter, ca.1420-1487
Reuben Moulthrop
American portrait, miniature, wax sculptor b.1763-d.1814 American painter. As proprietor of a waxworks museum and travelling waxworks exhibition, he was interested in modelling in wax in his early years. While moving around his native state, he was exposed to several artistic influences, beginning with Winthrop Chandler. His earliest portraits seem to date from about 1788, when he completed Mr and Mrs Samuel Hathaway (1788; New Haven, CT, Colony Hist. Soc. Mus.). Its dark, heavy outlines, its flatness and almost geometric forms derive from Chandler. The quality of Moulthrop's paintings was extremely uneven; many of the best of the surviving body of about 50 works date from around 1800. The Rev. Thomas Robbins which depicts the sitter's direct gaze and contains more detail than the earlier portraits, shows the artist at his most accomplished. In the last years of his brief career he appears to have been influenced by William Jennys and John Durand,






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